Ludlow Castle, Shropshire thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 120, The Wolfson Galleries

Ludlow Castle, Shropshire

Oil Painting
1778 (painted)
Artist/Maker
Place of origin

Object Type
In the course of the second half of the 18th century, the developing enthusiasm for the more remote landscapes of Britain, notably in Wales and Scotland, and for the dramatic histories often associated with them, meant that an increasing number of oil painters provided oil paintings and watercolours to meet the demand.

People
William Hodges (1744-1797) was a landscape painter who had sailed with Captain James Cook and recorded his discoveries. He returned to Britain in 1775 and found many of his countrymen eager for romantic views of ancient and historic buildings. Hodges had been a pupil of Richard Wilson (?1713-1782), whose treatment of landscape strongly influenced the next generation of artists, particularly J.M.W. Turner (1775-1851).

Subjects Depicted
This view of Ludlow Castle was a typical product of the demand for pictures showing atmospheric ruins or part ruins from the romantic past. Ludlow Castle was initially built between 1086 and 1094, one of the last castles ordered to be built by William the Conqueror to protect his English kingdom following the Norman Conquest. As Ludlow was located on the border with an independent Wales, it was a site of major strategic importance. Many battles and sieges in the turbulent history of Britain subsequently took place here, right up to the Civil Wars in the mid-17th century. After that date it fell into increasingly picturesque decay.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Oil Paintings
  • Frame
TitleLudlow Castle, Shropshire
Materials and techniques
oil on canvas
Brief description
Oil painting, 'Ludlow Castle, Shropshire', William Hodges, 1778
Physical description
Oil painting
Dimensions
  • Estimate height: 47in
  • Estimate width: 35in
  • Framed height: 139cm
  • Framed width: 109cm
Dimensions taken from Summary catalogue of British Paintings, Victoria and Albert Museum, 1973
Style
Marks and inscriptions
Signed and dated H. [17]78
Gallery label
British Galleries: During the second half of the 18th century, wild landscapes and ruined buildings, which had been considered ugly and depressing, came to be seen as fascinating and mysterious. In Britain, medieval ruins, with their echoes of romantic tales, were particularly appealing to the first generation of tourists.(27/03/2003)
Object history
Purchased, 1880. Painted in Britain by William Hodges RA (born in London, 1744, died in Brixham, Devon, 1797)
Place depicted
Summary
Object Type
In the course of the second half of the 18th century, the developing enthusiasm for the more remote landscapes of Britain, notably in Wales and Scotland, and for the dramatic histories often associated with them, meant that an increasing number of oil painters provided oil paintings and watercolours to meet the demand.

People
William Hodges (1744-1797) was a landscape painter who had sailed with Captain James Cook and recorded his discoveries. He returned to Britain in 1775 and found many of his countrymen eager for romantic views of ancient and historic buildings. Hodges had been a pupil of Richard Wilson (?1713-1782), whose treatment of landscape strongly influenced the next generation of artists, particularly J.M.W. Turner (1775-1851).

Subjects Depicted
This view of Ludlow Castle was a typical product of the demand for pictures showing atmospheric ruins or part ruins from the romantic past. Ludlow Castle was initially built between 1086 and 1094, one of the last castles ordered to be built by William the Conqueror to protect his English kingdom following the Norman Conquest. As Ludlow was located on the border with an independent Wales, it was a site of major strategic importance. Many battles and sieges in the turbulent history of Britain subsequently took place here, right up to the Civil Wars in the mid-17th century. After that date it fell into increasingly picturesque decay.
Collection
Accession number
43-1880

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Record createdApril 19, 2001
Record URL
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